For All the Saints

In the second act of Stephen Sondheim’s musical Into the Woods, the four remaining lead characters – the Baker, Cinderella, Little Red Riding Hood, and Jack – come together to sing the show’s penultimate number called No One Is Alone. After the long, arduous journey they’ve been on, each one having experienced tremendous heartache, they try to understand the consequences of the things for which they have wished throughout the show, and they begin to decide to place community wishes over their own. The song itself serves a dual purpose: first, to show that each of the characters’ actions – and by extension our own – are not made in a bubble and that no one is guaranteed to be the protagonist of their own story. And second, the song demonstrates that even when life throws its greatest challenges at us, we do not have to face them alone, that there are still people who love us, believe in us, and are cheering for us.

Red Riding Hood and Cinderella sing their parts of 'No One is Alone' from the 2014 film adaptation of Into the Woods.

I would add, even when we cannot see them. For that is what the Feast of All Saints is about, the companions we have had along our journey through the woods of our own lives, those who showed us the way, who may have gone on to glory, but whose lessons, whose love, whose spirits live on and inspire us to keep going and remember, to borrow the last line of that song: things will come out right now/we can make it so/someone is on your side/no one is alone.

Most of y’all, I suspect, are familiar with the Paschal Triduum, which are the three sacred days of Maundy Thursday, Good Friday, and Holy Saturday. They are the holiest days in the Christian calendar, marking Jesus’ passing over from death to life. This springtime Triduum of life is mirrored by a Triduum of death in the fall of All Hallows Eve, All Saints Day, and All Souls Day, which happen on October 31, November 1, and November 2, respectively. They teach us that death is every bit as sacred as life – two sides of the same coin. All Hallows Eve was the day when Christians remembered that death doesn’t have the final say, and thus is not something to be feared, so they dressed up and mocked demons and devils to their faces. All Saints marked the celebration of the apostles and martyrs, confessors and doctors of the church, the big deal folks who have stained glass in their honor and stuff named for them. All Souls, then, was the day to remember everyone else, all the faithful departed. Over time, though, and because All Saints is one of the few major feast days we can move to the following Sunday, All Saints and All Souls got conflated and merged together, while All Hallows Eve became an almost entirely secular holiday that a lot of Christians, if you can believe it, even openly opposed. 

Which is where most of us found ourselves in our churches this pat weekend. All Saints Sunday is not just about remembering the big deal folks, but all those who we love but see no longer. Personally, this day always takes me back to little All Saints Episcopal Church in Norton, VA, a place where the directory is the front and back of one sheet of paper. This place baptized me – along with my mother and sister – they confirmed me, and ordained me – and later my dad. And while they didn’t have a staff or lot of programs, they have lived into their name. Saints that worshiped there included Joe and May Straughn, who sang in the choir, and were the kind of old couple that made you ask, "How are they together?!" but who were madly in love. Frances Herndon, the cantankerous yet faithful altar guild chair who insisted I preach her funeral even before I was ordained. The Rev. Fran McCoy, the finest priest I have ever known - who was so good that I didn't even know men could be priests! - and the one person most responsible for me being one today. And my mother, Susan Mitchell, who I still see in the crowd every place I preach. They are just some of the saints, the companions on the way, the ones who reminded me and many others that none of us is alone, even if now they do so on a far greater shore.

The Rev. Frances J. McCoy, Rector of All Saints Episcopal Church in Norton, VA

And that is what the saints truly are to us, our companions. That word is taken from the Latin com, meaning “together or with,” and pan, meaning “bread.” Our companions are literally the ones with whom we share bread. And just as your closest companions are the ones you invite to share bread at your dinner table, at the holy Table, Christ brings us together – he who himself is the bread of life, the bread of heaven, the bread that feeds and sustains us. We share this Bread with each other, yes, but when we come forward and reach out our hands we do not do it alone. None of us is alone. The heavenly banquet that we know our loved ones are sharing right now is nothing less than the Eucharist itself. In the great prayer of the Church we hear Jesus’ words to his apostles, echoed through eternity for all the saints, “Do this for the remembrance of me.”  Remember.  We do not partake in this holy meal to simply recall an event in history, no.  We re-member; that is, we become a member again, we reconnect with Christ and with all the saints who partake in this Communion. We reaffirm our place in the communion of saints by the Communion of Christ’s own body and blood.  With those words of his, the lid is blown off of time.  The past is brought into the present, and the eternal is now.  We are tied to all who have ever offered this prayer before us, bound together with all throughout history who have shared the bread and cup.  We are united through the future to the heavenly banquet, where the feasting never ends.  In the midst of that celebrating, while moving beyond time, we are joined by the saints of God right beside us.  Our fathers, mothers, sisters, brothers, sons, daughters, grandparents, grandchildren, and dear friends.  They are here with us.  We named them on Sunday. And each time we come to the Table we share with them in what Saint Ignatius of Antioch called “the medicine of immortality.”

No one is alone. Salvation is not something we achieve on our own – contrary to popular opinion, we do not go out and “get saved” by ourselves. We pray, we break bread, we study, we grow, we fail, we fall, we repent, we forgive, and we keep moving closer and closer to salvation together. The lives of the saints remind us of that fact. They remind us that no one is alone.  

Sometimes I’m asked why we Episcopalians pray for the dead; after all, they’re fine now because they’re with God. There’s two reasons, really: 1) to remember that, as the prayer says, in death life is changed, not ended, and that those we love are still alive in the presence of God, and 2) because they are praying for us. On that side of the Kingdom is the Church Triumphant, those who have finished their earthly course and have found their triumph and bliss with Christ, and it is their ministry to pray for us here in the Church Militant – a term we use for us here on earth who are still in our struggles. We pray for them because that relationship is not over because it is rooted in love, which is the very nature of God – because if it ain’t about love, it ain’t about God, right? I am fond of reminding folks that love is the most powerful force in the whole universe, it cannot be destroyed by time or space. Love never dies. Love is what unites us, the living to the dead, and reminds us that we are not alone. This day is all about love.

The Church Militant and the Church Triumphant fresco by Andrea da Firenze, c.1365

For all the saints, who from their labors rest, who thee by faith before the world confessed, thy Name, O Jesus, be forever blest. And let the church forever say: Alleluia! And Amen.

Lessons in Courage From Bold Bartimaeus

*This post is unchanged from my first sermon at the Church of the Advocate, Chapel Hill on October 27.

'Jesus and his disciples came to Jericho. As he and his disciples and a large crowd were leaving Jericho, Bartimaeus son of Timaeus, a blind beggar, was sitting by the roadside. When he heard that it was Jesus of Nazareth, he began to shout out and say, “Jesus, Son of David, have mercy on me!” Many sternly ordered him to be quiet, but he cried out even more loudly, “Son of David, have mercy on me!” Jesus stood still and said, “Call him here.” And they called the blind man, saying to him, “Take heart; get up, he is calling you.” So throwing off his cloak, he sprang up and came to Jesus. Then Jesus said to him, “What do you want me to do for you?” The blind man said to him, “My teacher, let me see again.” Jesus said to him, “Go; your faith has made you well.” Immediately he regained his sight and followed him on the way.'

--Mark 10: 46-52

When I was in college everyone – and I mean, everyone – knew me as Transformer Joe. Not Baseball Joe, not Theatre Joe, not Episcopal Joe, or even Hillbilly Joe, no, I was only Transformer Joe. You see, word got around that I collected action figures, specifically Transformers, and folks would even come to my dorm room to get a tour of what at that time was a modest collection. I was asked to write a piece for the school paper, and when my roommate told someone that he roomed with Joe Mitchell they asked, “Who?” but when he told them Transformer Joe they said, “Oh you room with Transformer Joe?” It’s kind of bummer only being known for one quality or aspect of who you are. Even now I’d like to think that I’m more than Transformer Joe or Father Joe or whatever. We’re all more than just one thing.

Some things never change.

Bartimaeus of Jericho is, like many characters in the stories of Scriptures, often remembered for one thing: being blind. Among scholars, clergy, and kids in Sunday School he’s known as, you guessed it, Blind Bartimaeus. And that’s really not fair because Bartimaeus is much, much more than this particular physical trait. He displays a level of courage that I suspect is Good News for all of us, and his witness helps us, too, remember that more than one thing defines who we are.

We should point out that Bartimaeus is not a person folks would’ve immediately been inspired by. He’s got three strikes against him as soon as we meet him: he’s blind, he’s a beggar, and even his name is unflattering – Bar-timmaeus, “son of Timaeus,” literally means “son of the defiled or unclean.” Yet as is often the case in the story of the life, death, and resurrection of Jesus, the most incredible acts of faith, hope, and charity come from the most unlikely of individuals. 

So here is Bartimaeus, sitting on the side of the dirt road in Jericho, a pit stop on the way to Jerusalem. Jesus and his followers are coming through town on their way to the Passover celebration, in fact, the very next event in Mark’s Gospel after this encounter is Jesus’ triumphal entry into Jerusalem for Palm Sunday. Bartimaeus hears that Jesus is coming through, and we get his first courageous act: he shouts, “Jesus, son of David, have mercy on me!” What’s so courageous about that? It's a political declaration. It heralds Jesus as the Messiah, the heir to the throne of David. Even though he’s blind, Bartimaeus sees what others can’t, he sees with eyes that know God has arrived and God will act. The folks around him want him to hush up. “Stop saying things like that or you’re gonna get us all into a whole mess of trouble!” It’s an act of sedition. Rome don’t take too kindly to folks declaring that someone besides Caesar is in charge, after all. But he shouts again at the very top of his lungs, proclaiming Jesus’ sovereignty and asking for the most basic gift one person can give another: mercy.

There’s boldness in Bartimaeus – maybe Bold Bartimaeus suits him better, you still have the alliteration! Jesus hears him. Let that sink in for moment. Jesus hears the bold declarations of a blind beggar and tells the very folks who were trying to get him to shut up to bring him closer. Then Jesus asks one of my favorite questions, one he doesn’t ask anyone else: what do you want me to do for you? Hoo-boy! What do you do with that?! How would you answer that, or how would I? Peace in the Holy Land? An end to the patriarchy? A direct, pointed question that only Bartimaeus can answer.

An African icon of Bartimaeus being led to Jesus by the folks who told him to keep quiet.

He says, “Let me see again.” What’s interesting here is that the Greek better translates to “That I may receive sight.” So whether Bartimaeus has been physically blind from birth or not, we can’t really know, but we do know that Scripture always has multiple levels of meaning. Yes, he is asking to physically see, but his request is one that the very people who first received this Gospel prayed: let us see what is going on in the world around us and respond to it. Mark’s Gospel was written around the year 70, when the Temple in Jerusalem was destroyed and Rome sacked the city, leaving believers in the God of Abraham bereft and lost. What do we do now? How can we see a path forward in the midst of such misery? “Let me see again,” Bartimaeus pleads, along with every lost and fearful person who first heard this story proclaimed in the town squares.

And here’s the best part. Jesus doesn’t do anything. He doesn’t speak a magic word like when he healed the mute person two chapters earlier. He doesn’t make mud from the dirt and spread it on Bartimaeus’ eyes like he does for another blind person in John, chapter 9. Jesus tells him that his faith has made him well, not any outward gesture from Jesus. His faith, his hope, his charity - another word for love -  of God is what gives Bartimaeus the courage to proclaim what he knows is true about Jesus, to step forward and plead his case before God, and receive healing, in every sense of that word.

Then, and perhaps this is most important, he follows Jesus. Our text says he followed him on “the way.” That’s a lower case ‘w,’ in case you were wondering, but we could just as easily make it uppercase; because the Way was, after all, what the Jesus Movement was originally called, and the folks we call Christians were first known as Followers of the Way. Bartimaeus doesn’t treat Jesus as a kind of cosmic vending machine to whom he makes a request, gets his prize, and then moves on. He is transformed by the encounter, made a new creation, and because of that he cannot help but follow this Way of Jesus, all the way to Jerusalem, to the cross and to resurrection. To think of him simply as Blind Bartimaeus, really doesn’t do him justice, does it?

Bold Bartimaeus knew he was more than just one thing. How about you, folks of the Advocate? What stirs you enough to make a scene like this blind beggar on the side of the road? What are your blind spots, and where do you need to have your sight restored? What could it be that your faith has already healed, you just don’t know it yet? As with Bartimaeus, a new path, a new road, has been opened at the Advocate, and we will walk it together. We too will boldly proclaim the sovereignty of Jesus above all others. We too will seek justice for those who have strikes thrown against them by systems of oppression and those who collaborate to maintain them. We will remind every person that it isn’t just one thing that defines them, and as we pray for our own faith, hope, and love to increase, we will put each of those qualities into action to be sure the world knows what Jesus himself proclaimed when we first began Mark’s Gospel almost a year ago: that the Kingdom of God has come near! He will be there, Jesus will, every step, asking us those same questions – like, “What do you want me to do for you?” – and together we will live into those questions as we follow him on the Way. 

Transformers One (For the Ages)

Please be good, please be good, please be good, please be good...

This is a long one folks, and filled with SPOILERS. Buckle up!

Is Transformers One my favorite movie in the franchise? No. That honor will always go to the 1986 animated classic due to the nostalgia factor alone. It is, though, the best movie in the franchise, and it's not really close. Nearly every aspect of it is flawless, from the casting and story to the animation and musical score. In this blog post I'll be spoiling the daylights out of this film, with details on how Transformers One came into existence, the story it tells, and my thoughts on what makes it the best Transformers film that has ever been produced.

In the Beginning

It’s worth discussing how a film like Transformers One came to be. In 2010 Hasbro CEO Brian Goldner, in whose memory this very film is dedicated, came up with a plan to take the toy company and make it an entertainment juggernaut. The first step was the creation of the Hub, Hasbro’s own children’s tv network created in partnership with the Discovery Channel. The centerpiece of that new network was the brand-new animated series, Transformers: Prime.

Poster for the premiere of Transformers: Prime on the Hub.

Prime was to be the first tv show in a new, Aligned continuity that would span not just the small screen, but novels, comic books, video games, and even theatrical releases. Two prequel stories, one a novel – Exodus – and the other a video game – War for Cybertron – had been released in the summer of 2010 in anticipation of the debut of Prime on tv screens that fall. The show was a big hit, and plans were underway for a new animated movie that would detail the history of Cybertron even further. 

But those plans never came to fruition. The reason: too many chefs in the kitchen. Hasbro had outsourced different pieces of this new continuity to various companies and creative talent, nearly all of whom were on different pages. Case in point: the Exodus novel and War for Cybertron game, while both prequels to Prime, couldn’t agree on the order of events or the names of characters. The Aligned Continuity, the grand plan for a multimedia-expanded universe that would not only include the Transformers but a whole host of other Hasbro properties, was scrapped. Even though some series continued, the Hub network was dropped in 2014. Though it is not the same film that was originally pitched, Transformers One ends up drawing a great deal of inspiration from the Aligned continuity, so it's important to acknowledge that link.

The Paramount Writers Room

The first three live action Transformers films from director Michael Bay were each a huge success. Were they good films? Sweet Primus, no!! But they made a whole lot of straight cash homie! That is, until the fourth installment, Age of Extinction, in 2014. The lowest grossing film of the franchise at that time, it prompted Paramount to bring together several writers to create stories for the live action movies that would pump some life into them and propel the franchise into an ever-evolving film industry that was getting further away from the machismo of Bay’s original entry in 2007.

The writers room developed several ideas, including a film set in World War II, one in which the Autobots made contact with King Arthur in ancient Britain, another with Optimus Prime turned into the villain, and one that would feature the monster planet Unicron from the 1986 animated film. Those all sounded like good ideas, which is why every single one of them got shoved into 2017’s The Last Knight, an incoherent mess of a film that marked Michael Bay’s final stint in the director’s chair.

Poster from The Last Knight, showing one of the bots alongside the army of King Arthur.

But three other films were also proposed in that room. The first was a solo movie focusing on the adventures of Bumblebee, who had become the face of the franchise with his reintroduction in the live action series. The second was a live action adaptation of the popular Beast Wars series from the mid-1990s. Each of these would get made into their own films, in 2018 and 2023, respectively. Controversy surrounded whether or not they fell in line with the continuity of Bay’s films, but both proved successful enough at the box office that Paramount and Hasbro decided to pursue a third idea from that writers room, one that had first been pitched during the days of the Aligned continuity: an animated prequel set on Cybertron. 

Please Don’t Hurt Me

My initial reaction to hearing about this new film was a big ole “Meh.” Rise of the Beasts, while solid in some ways, had disappointed me to the extent that I was convinced that no matter who was writing, directing, or starring, the studio and its brass would never, ever let us be free of Michael Bay’s influence on the franchise. Just focus on the stories in the comics and tv shows, I said, and let the films rest for a while. A long while, I’d hoped. 

In my review of Rise of the Beasts I mentioned that I had “been hurt too much” by this franchise, so even a cautious optimism seemed risky. It didn’t help when someone took to the Transformers interwebs shortly after seeing some early test footage of this new movie and not only tried to recreate from memory the designs for this film’s version of Optimus Prime and Megatron but also shared how the plot, as far as they could tell, involved yet another McMuffin hunt – IYKYK – this time for the transformation cog (singular). It sounded bad and looked even worse. See for yourself:

Yikes! (Image courtesy of Seibertron.com).

It did not inspire confidence. No.

Too Good to Be True?

An unnecessary Rolling Stones insert song notwithstanding, the very first trailer had me excited. The voice talent sounded good. The tone was lighthearted, but that was to be expected from an animated film. Maybe there was something to this.

The second trailer had me hooked. Brian Tyler’s fantastic score rang out, and I got the goosebumps. This might work. This might actually work. Slowly early reviews came in. They were filled with praise. Even online Transformers fans, known for being among the pickiest and most miserable in all of nerd culture, loved it. Could it really be this good? Maybe those early reviews were folks handpicked by the studio to watch it and give it praise. Maybe the final product would have interference by Paramount like it seemed all these films did. Maybe there will be some message at the beginning stating explicitly that this was the official prequel story for Michael Bay’s films because those bastards simply won’t die! And then I saw it for myself.

The Story

Orion Pax and D-16

The film opens on what we later learn is the city of Iacon. We follow a young bot named Orion Pax, who is searching through the Cybertronian archives for information on the legendary Primes, the first lifeforms created by the deity known as Primus, who had sacrificed his physical existence to become the planet Cybertron. The Thirteen Primes represented various aspects of Cybertronian life, and together they governed the planet and protected its people and the essential element known as energon, which fueled all life on the planet. But the Primes, according to Orion’s research, had been defeated in battle by the invading Quintessons, and their greatest artifact, the Matrix of Leadership, had been lost. The archival footage ended with a familiar refrain for Orion, that without the Matrix, energon could no longer flow naturally throughout the planet.

When a pair of security bots spot Orion we learn that he is not an archivist – as earlier depictions of Orion Pax in various comics and tv shows had been – but instead he’s an energon miner, part of one of the lowest castes of Cybertronians, who doesn’t even possess a transformation cog and therefore the ability to transform. 

Orion evades the security bots with the help of his best friend, D-16, who is also a miner and a great admirer of Megatronus Prime, one of the original Thirteen. Knowing this, Orion had swiped from the archives a decal of Megatronus’ face for his friend to wear as a kind of tattoo. Wanna guess what it looks like…

When the pair arrive at their mining job we meet their supervisor, Elita-One, who is unceremoniously bumped down to an even lower position in waste management after a mining accident caused by Orion Pax nearly kills a fellow miner named Jazz. Orion is disappointed, but there’s little time for any sorrows because a message was coming over the datanet from Sentinel Prime, the leader of Cybertron and inheritor of the lineage of the original Primes. Sentinel explains that he has been on an expedition on the planet’s surface to retrieve the Matrix, but his efforts have been in vain. Nevertheless, he calls for a day of rest and relaxation, as the biggest sports entertainment event on Cybertron was just one day away: the Iacon 5000! Do I detect Caesar calling for more games while Rome burns??

This guy doesn't look shady at all.

Orion Pax has an idea. Why not enter the race and show the rest of Cybertron that mining bots are more than meets the eye, more than a bunch of workers who have no other lot in life, who can’t even transform their bodies or dream of being something besides what society had told them they should be. If they could beat just one Transformer, Orion tells D-16, they’d be legends, and maybe would even inspire some real change within Cybertronian society. 

But D-16 wants no part of it. He likes order, structure, and maintaining his place. Earlier, when Orion had stood up for Elita after she was fired, D-16 had stopped him, only to be punched by the bigger, bossier Darkwing. “He had every right to hit me,” D-16 later admits, “I broke protocol.” 

Orion, however, dreams of something more than an existence of simply following protocol, so the next day he arranges for D-16 and himself to enter the Iacon 5000 using jet packs! D-16 literally goes kicking and screaming, telling his friend, “If we get out of this alive, I’m going to kill you!” Orion, for his part, accepts those terms.

Orion Pax and D-16 in the Iacon 5000 thanks to their mining jet packs.

After a thrilling racing sequence that features a boatload of cameos from older Transformers series, the two miner bots very nearly win the race, but are hampered when Orion stops to help D-16, who has injured his leg. The transforming racers, including Darkwing, pass them by, and they come in last.

Their antics, though, inspire Sentinel Prime. It’s been 50 cycles – an indeterminant amount of time by our standards – since the Quintessons left Cybertron and the Matrix disappeared. Without the Matrix and the ability to restore naturally flowing energon, bots like Orion and D-16 will need to work even harder to mine the energon necessary for Cybertron to go on living. He wants the two of them to go on a kind of celebrity tour of the mines, inspiring hope and enthusiasm in their fellow workers, that they will do their part to promote the success of this huge machine that is the planet Cybertron. Orion and D-16 are thrilled that their hero thinks so highly of them, but before they even take it all in, Darkwing arrives to bust them all the way down to the lowest level of the Cybertronian workforce: garbage-smelting.

There in sub-level 50 – which no one even knows exists – they meet B-127, a small but chatty bot who seems to be making up for the lack of actual bot-to-bot interaction by talking the pair’s ears off. B-127 introduces them to his other coworkers, the very-much-not-alive A-A-Tron and "Steve", bots that B-127 has created using the garbage that he collects and with whom he has imaginary conversations. 

B-127, the bot we know better as Bumblebee (or Badassatron).

Orion notices a small signaling device that falls off of "Steve" after his head gets detached from his body. It contains a message from Alpha Trion, one of the Thirteen Primes, along with a location beacon. This, Orion believes, could be the location of the Matrix of Leadership. If they could get it to Sentinel, they’d be heroes. D-16 and B-127 are in.

The trio manage to hop a cargo train to the surface, along with Elita, who joins the adventure against her will. For the first time in their lives they see the surface of Cybertron, which is constantly shifting and transforming itself. They pass through the Sonic Canyons and observe strange, almost organic life, including turbo deer. They also spot a huge Quintesson ship. But how can this be, if they left Cybertron 50 cycles ago?

Following the beacon, they come upon a cave in a region that fans will recognize as the Manganese Mountains. Inside they discover the bodies of the Primes, long dead after the final battle. However, they find that Alpha Trion’s spark is still online, and after giving him some energon, they awaken the ancient Prime, who informs them that everything they think they know is a lie.

Alpha Trion, the lone survivor among the 13 Primes.

Sentinel, he reveals, is not the inheritor of the Prime lineage, but rather an imposter who had previously worked with the Primes but who led them into an ambush at the hands of the Quintessons so that he could rule Cybertron as their puppet. Once the group sees Sentinel kneel before a Quintesson enforcer and turn over all of the energon that they mined to the alien invaders, they each react with enormous sadness and disappointment. Orion Pax, though devastated, tries to come up with a plan for revealing the truth to their fellow Cybertronians and stopping Sentinel.

D-16, however, is filled with rage. He doesn’t just want to stop Sentinel, he wants to kill him, to humiliate him, to march him through the mines and let him die in darkness. With everything he believes shattered, D-16 can see nothing but his anger and is ready to burn the whole world down to assuage it.

Alpha Trion notices the lack of transformation cogs in the chests of the young bots, who explain that becaue they are miners, they were born without cogs. The old Prime informs them that every son and daughter of Cybertron is born with a transformation cog, born with the ability to change themselves and, by extension, their world. Sentinel had had them removed before the bots came online, thus creating the caste system that perpetually kept him in power, forcing Cybertronians to remain stuck in their lot, never able to move beyond the place he had put them.

Using some of his remaining power, Alpha Trion bestows on Orion Pax, D-16, B-127, and Elita-One the transformation cogs from four of the original Primes: Prima, Alchemist, Micronus, and Onyx. With the power to transform, the young bots have the ability to change not only themselves but the future of Cybertron.

Our heroes with their transformation cogs restored.

Sentinel’s forces track them down and attack the cave, capturing Alpha Trion as the others escape. Outside, they quickly go through the pains of learning how to transform, but they soon get the hang of it, especially D-16, who uses his new tank mode to blast away one of Sentinel’s Death Tracker bots before it can hurt Orion and Elita. Laughing with glee at the kill, D-16 is ready to turn the full force of his new powers on Sentinel, though Orion cautions him to back off a little. They need a plan, but D-16 is having none of it.

Eventually the four bots come upon an encampment of Transformers that we learn was once the High Guard. These warriors had served the Primes and witnessed Sentinel’s betrayal, and now they fight from the shadows to thwart him at every turn. They include Shockwave, Soundwave, Starscream, and a host of flying bots that fans know very well as the Seekers. 

D-16 tries to walk away but is stopped by Starscream, who informs him that the only thing that matters is the strength of one bot against another. Taking up the challenge, D-16 beats the would-be leader of the High Guard into submission, vowing that this will be the last time he shows mercy. He calls upon them to join him in a raid on Sentinel’s fortress in Iacon, while Orion looks on in horror, watching his friend sink deeper and deeper into rage and madness.

Soundwave, Starscream, and Shockwave.

An attack by Sentinel’s chief lieutenant Airachnid results in D-16, B-127, and Starscream getting captured. Dejected, Orion Pax is ready to give up, convined now that D-16 was right, that only force will beat Sentinel. He had hoped they would be able to show the people the truth, courtesy of a recording given to them by Alpha Trion, but the recording was destroyed, and now there appears to be no hope. Elita reminds him that while she may be better at him in every way, the one thing she doesn’t have is his optimism. It’s that hope for a brighter future that inspires others. She even recalls the incident in which he saved Jazz – an incident that got her fired – and how that reckless disregard for protocol is actually what makes him special. Her pep talk completed, Elita rallies Orion, who calls together the remaining members of the High Guard. They will follow their captive friends to Iacon, share the truth with the people, and defeat Sentinel. Orion’s first order is to “Transform and roll out!”

Back in Iacon, Sentinel gloats to his captives, including D-16. He rips off the Megatronus decal from his shoulder and forcibly welds it to D-16’s chest, while also revealing that after killing Megatronus Prime, he stole his transformation cog. D-16 refuses to yield, but Sentinel continues to beat him.

Meanwhile, Orion Pax visits his fellow miners. He calls them together, encouraging them to stand up for themselves, for a brighter future. Nothing can stop them, he says, if they stand as one. Familiar faces like Jazz, Ironhide, and Arcee cheer Orion Pax and chant his name. They will fight for their autonomy and that of the rest of Cybertron.

Jazz, as he's shown in Transformers One.

With Elita and the High Guard’s help, Orion and the rest of the miners launch an assault on Sentinel’s forces. Orion saves D-16, but his friend has no time for gratitude, as he sets his sights on killing Sentinel. With the false Prime eventually cornered, D-16 takes out his new fusion canon and is prepared to blast Sentinel, but Orion jumps in front of the shot, blowing half his body apart and causing him to fall off the side of a ledge. D-16 manages to grab his friend’s hand, but after realizing that Orion will always be there to get in his way, D-16 coldly says, “I’m tired of saving you!” and drops his friend down a shaft, just as his eyes permanently turn red.

As Orion falls through the different levels of Cybertron, D-16 rips Sentinel in half and steals Megatronus’ transformation cog from his body. He declares the age of Primes is over and calls on everyone to burn down the last remnants of Sentinel’s deceit. He renames himself Megatron and bids the gathered masses to rise up in a violent mob under his rule.

D-16 becomes Megatron.

Meanwhile, Orion’s near-lifeless body drifts through Cybertron until it comes into contact with the planet’s core, Primus himself. The voice of Alpha Trion speaks as the visages of the other 12 Primes surround Orion. He has been deemed worthy by Primus, Alpha Trion says, to inherit the very thing that Sentinel sought but could never obtain: the Matrix of Leadership. With the Matrix placed in his chest, Orion’s body begins to heal, and his destiny is laid out. In a scene reminiscent of the climax of the original The Transformers: The Movie, the voice of Alpha Trion speaks, “Arise, Optimus Prime!”

Orion Pax is granted the Matrix and becomes Optimus Prime.

The newly christened Prime returns to Iacon and meets his former friend. After lamenting that the bot formerly known as D-16 had chosen to destroy Cybertron the same way Sentinel did, Optimus Prime engages in his first battle with Megatron. Thanks to the Matrix, Optimus proves victorious and banishes Megatron, along with the High Guard, to the surface of Cybertron. “This isn’t over…Prime!” Megatron snarls before retreating.

Using the Matrix, Optimus Prime restores not only the naturally flowing energon to the planet but also the transformation cogs of all the miners who had had them removed. Now, with the power to transform their world, and filled with the burning desire to expel the Quintessons from their home once and for all, these autonomous robots – Autobots – roll out with Optimus Prime taking the lead. As they do so, in a dark region of the surface, Megatron uses the face of his namesake, Megatronus Prime, as a brand on the members of the High Guard that have chosen to follow him. They will not be deceived by this new Prime, for they are Decepticons, and they will rise up!

Themes

I said at the start of this review that this was the best Transformers theatrical release. The best, Jerry! How dare I make such a bold claim? It comes down to one particular aspect of the film:

Relationship. 

The very best stories are ones that get at the heart of the human condition, primarily the relational component. For all of its winks and nods to 40 years’ worth of Transformers history and lore, this film is first and foremost the story of a relationship between two best friends – D-16 and Orion Pax – and the slow, agonizing journey that they take to becoming bitter enemies. 

We can see the joy and enthusiasm shared by the two bots in the early goings, as they joke with each other and promise to always have the other’s back. When D-16 receives the Megatronus sticker you can see the gratitude that he feels, and later when he is moved by Orion’s gesture of securing them the perfect seats for the Iacon 5000, he asks, “You did this for me?” and Orion replies, “No. I did this for us.” The audience knows where this is going, and it’s painful to watch.

They are a team. Brothers. And throughout the film you can’t help but wish that D-16 won’t go down this road, even though we all know that he is destined to do so. Against every rational thought, you find yourself rooting for D-16, and even when the truth of Sentinel’s betrayal comes to light, you hope that he won’t let his rage take him to a place from which he cannot return. It’s not unlike the portrayal of Anakin Skywalker in Revenge of the Sith. Despite knowing that he must don the black suit and become Darth Vader, we are still somehow wishing and hoping that he won’t. 

Anakin Skywalker and Darth Vader. Image courtesy of Google.

When the dust settles, though, and you look back at their friendship, the seeds for D-16’s fall are there from the start. He’s a fascist, one who believes that order is the way of things, that everything works as long as protocol is followed, and that if it isn’t, everything will collapse into chaos and confusion. Repeatedly he chastises Orion for dragging him on this adventure, and even when he learns of what Sentinel has done, his immediate reaction is to blame Orion for making him break protocol, certain that to have lived a stagnant life as forced labor and never knowing the truth was a much better fate than this new reality he is seeing with open optics. Naturally, when he gets his hands on Sentinel, the now-Megatron replaces the former Prime’s brand of tyranny with his own. Hurt people hurt people, as the saying goes.

Transformers One is a Greek tragedy, a tale as old as time. Both Orion Pax and D-16 are flawed – the former is impulsive to the point of recklessness, and the latter is committed to the lie that rigid obedience will keep everyone, himself included, safe – but when the two of them are faced with a truth that undoes their whole reality, Orion pivots to a position of “OK, this is really happening, now what do we do about it?” whereas D-16 can only rage against the injustice done to him personally. One sees the bigger pictue, while the other only sees how he is being affected. That place of stuckness is the only thing that feels safe to D-16, and once he shows his strength by defeating Starscream and capturing the loyalty of the High Guard, there’s clearly nothing his old friend can say to bring him back. As Optimus says to him before their first battle, “It didn’t have to be this way.”

While Transformers One isn’t the first story to postulate that Optimus Prime and Megatron were friends before the war, it’s the only one that has this level of humanity to it. Take, for example, the novel Exodus, in which Megatron is a miner turned gladiator, who uses his popularity in the arena to propel himself to a position where he can denounce the unjust caste system that has kept Cybertronians bound to their lot in life. Orion Pax, who is not a miner in this story but a data clerk, agrees with Megatron’s goal but disagrees with his methods. They’re more like colleagues than friends, so when Orion is named the new Prime Megatron’s betrayal isn’t especially tragic, you sort of expect it once Orion Pax ceases to be of use to him. 

Pre-war Orion Pax and Megatronus from Transformers: Prime.

That’s not the case here. We see two bots that have worked, laughed, and cried together. Theirs is a familial relationship, and anyone who has ever felt the heartbreak of losing a best friend or loved one to their inner demons of rage and pain can relate to what we see happen to Orion and D-16. As Robert Frost once coined, “the only way out is through,” and that is something that Orion Pax understands, that D-16 can never grasp. It’s something anyone who has been through trauma understands, and it is extremely well done here. D-16 and Orion Pax encapsulate what Fr. Richard Rohr means when he talks about we either "transform our pain or transmit it." True to the name of the franchise, Orion Pax can transform his experiences of pain and loss and see even the glimmer of a possibility that things could be different, while D-16 unleashes the pain caused by Sentinel onto the rest of Cybertron, the endless war that has characterized the robots in disguise for the last 40 years.

Yet it’s not just the relationship between Orion and D-16 that makes this film so good, but it is also the character of Sentinel Prime and his relationship to the citizens of Cybertron under his rule. The first mention of Sentinel Prime was in the Marvel stories published in the UK, which listed him as the immediate predecessor to Optimus Prime. Years later, Transformers Animated offered a new take on the character, one who was self-centered and always looking to seize glory for himself. This version influenced the depiction of Sentinel Prime in the live action film Dark of the Moon two years later, in which the former Autobot leader betrays his student Optimus and becomes the film’s primary antagonist. Since then, Sentinel Prime is most often portrayed as an ego-driven despot, one who will do anything to maintain order on Cybertron and keep his position of power. In this film we see what happens when the masses turn to Sentinel as a savior, one who is nothing but a charlatan that will do anything to retain his power, including cozying up to the enemies of his own people (sound familiar??). He's a character that stands as a textbook example of a narcissist, and the disillusionment that the people of Cybertron experience when his treachery is revealed makes it that much easier for them to fall for the strong-willed fascist that D-16 becomes. It's not hard to see how Sentinel's arrogance leads to the impending war that will devastate his world, not unlike the Weimar Republic that gave way to Hitler or the current landscape of geopolitics that is seeing a surge in authoritarian regimes.

(L-R) The Sentinel Primes of Transformers: Animated and Dark of the Moon.

The Sentinel Prime of this film draws heavily off the Animated and Dark of the Moon versions. Still, it’s not simply his motivation to gain power for himself that makes him interesting, it’s the lengths to which he goes. By removing the transformation cogs from a sizable portion of the Cybertronian population, Sentinel not only creates the caste system, but he robs these bots of the ability to transform, to be autonomous and self-reliant. He takes away any future that they may create for themselves. It’s a fate far crueler than what many other villains in the franchise have done because he has orchestrated everything in such a way that no one even knows the truth. The ignorance these bots live with is every bit as cruel as the slavery imposed by Sentinel’s Quintesson masters. While I knew that Sentinel would play a big role in the film – perhaps even be the main villain – I never expected him to be THIS evil. Jon Hamm absolutely nails the character, and I’d put this version of Sentinel up there with some of the best bad guys in Transformers history, alongside my favorite, Beast Machines Megatron who, like Sentinel, creates a Cybertron totally under his control and steals the freewill of its citizens in the process. 

Fascist. (Megatron from Beast Machines)

Visually the film is gorgeous. Seeing Cybertron teeming with life, bright and vibrant, was something I wasn’t sure I would ever see on a big screen. The busy-ness of Iacon is mirrored by the quiet of the surface, which itself is colorful and lush in ways we have never seen Cybertron before. I’ve long been a proponent of hand-drawn, 2D animation over CGI, but the job done by Industrial Light and Magic here was exceptional. It’s a very different style to the 1986 film, which is to be expected. I can’t say it’s better, but I can say that for a 21st century piece of Transformers animation, it is among the very best. 

Cybertron's surface, complete with wildlife.

Brian Tyler’s music holds the same level of gravitas as Steve Jablonsky's scores for the five Bay films. Tyler had previously been the composer for  Transformers: Prime, and he even uses the motifs in that show’s main theme at various times here, especially in the Tomb of the Primes. Can he be compared to Vince DiCola and his work on  The Transformers: The Movie? No. Mostly because that score was a product of its time, with uniquely 1980s synth tracks that were meant to excite and move you. Tyler’s music, however, is more in keeping with the sweeping, epic movie scores from folks like Hans Zimmer and Howard Shore. I may not put it on my workout playlist like I have Vince’s music, but for a score meant to evoke the awe-inspiring rise of one of the greatest heroes in modern fiction, it works really well. I wouldn’t be mad if we got more of Brian Tyler’s music in future Transformers stories.

A Love Letter to the Franchise

Transformers One somehow does the impossible. It manages to be a unique story while tipping its hat to nearly every single element of the 40-year history of the Transformers.  It could serve as a prequel to almost any Transformers series that has existed (if you squint hard enough!). This is by no means an exhaustive list, but here are just some of the easter eggs and series that were referenced in this film:

• Generation One Cartoon

• A whole lotta stuff!!
• "More Than Meets the Eye" is the title of the mini-series that began the show.
• The city of Iacon appears in the pilot mini-series.
• The  Quintessons are introduced in the 1986 film.
• Autobots starting as worker bots and Decepticons starting as warriors.
• Transformation cogs played key roles in two episodes in the show's third season.
• Optimus Prime's younger self is called Orion Pax

Orion Pax's first appearance in the 1985 episode War Dawn.

• Marvel Comics

• The Matrix is first introduced in the early issues of the comics, though it is very different.
• Prima, the very first Transformer, is introduced in the comics.
• Megatron starts the war.
• Sentinel Prime is Optimus’ predecessor, killed by Megatron.
• Primus is both the creator of the Transformers and the core of Cybertron.

Primus at the core of Cybertron in issue #60 of the original Marvel Comics.

• Generation One toys

• B-127’s battle mask looks like the original Bumblebee toy’s face.
• The miners' designs resemble the Action Masters, Transformers that couldn't transform.
• Orion's fake "transform" is a nod to how the original Optimus toy turned into a truck.
• D-16 was the designation for the original Megatron toy in Japan.

Megatron's original Japanese toy with the D-16 designation.

• Generation 2

• Darkwing's appearance resembles is G2 incarnation.
• Several of the Iacon 5000 participants have names that first appeared in G2.
• Liege Maximo, one of the Thirteen Primes, is first introduced in the G2 comics.
• Megatron’s tank alt mode was first introduced in the G2 comics and toyline.

Generation 2 Megatron (1994), the first example of the character transforming into a tank.

• Beast Wars/Beast Machines

•  The spark – a Transformer’s life force – is first mentioned in Beast Wars.
• Orion’s journey to the core of Cybertron is visiually similar to a scene from Beast Machines.
• The idea of Cybertron having any (techno) organic life originates in Beast Machines.

Technorganic life on Cybertron in the finale of Beast Machines.

• The Unicron Trilogy

• The Iacon 5000 is similar to the Velocitron Speedia 500.
• Primus’ transformation is almost identical to his Cybertron toy.
• Vector Prime, one of the Thirteen, is first introduced in Galaxy Force (aka Cybertron).

Vector Prime from Galaxy Force/Cybertron.

• Dreamwave Comics

• Primus’ robot mode is lifted from Dreamwave's The Ultimate Guide.
• The concept of the Thirteen original Transformers, though never named, originates here.
• Megatronus Prime - then only known as The Fallen - was created by Dreamwave.

First appearance of The Fallen (later retconned as Megatronus Prime) from The War Within: The Dark Ages.

• IDW Comics

• Megatron begins life as a miner named D-16.
• Sentinel kills his predecessor to become Prime.
• Orion Pax falls through Cybertron and is granted the Matrix by Primus.

Orion Pax becomes Optimus Prime from Autocracy #9.

• Animated

• Sentinel Prime’s design draws heavily from this series.
• Orion Pax’s design resembles Optimus Prime’s pre-Earth form.

Optimus in his pre-earth form (with Sentinel and Elita-One) in the episode Along Came a Spider.

• Aligned Continuity

• Orion Pax and Megatron were friends before the war.
• Sentinel’s Death Trackers robots in this film look just like the Vehicons from Prime.
• Sentinel creates the caste system.
• The Quintessons occupy Cybertron after the deaths of the Primes.
• Megatron takes his name from Megatronus Prime.
• All Thirteen Primes are finally named in The Covenant of Primus.
• The Seekers begin as Sentinel’s guard in the Exodus novel.
• Airachnid is first introduced in Prime.

Airachnid's first appearance in the episode Predatory.

• Live Action Movies

• Sentinel’s betrayal is similar to Dark of the Moon.
• This film jokes about wishing B-127 (Bumblebee) would shut up (he was mute in live action).
• The Fallen/Megatronus' face is the basis for the Decepticon symbol.

Teaser poster for 2009's Revenge of the Fallen.

And so, so much more!!

Nobody’s Perfect

With everything about Transformers One that I love, I’d be remiss if I didn’t point out a few things that I wish had been done better. 

Even though high-profile actors have been used in animated features for decades, I still wish that studios would use actual voice actors for these roles. It isn’t just because these folks are seldom given such a big spotlight, it’s that they’re better at it than regular actors. There’s a cadence and style to a voice actor that folks who are accustomed to being in front of a camera simply don’t have. Chris Hemsworth’s portrayal of Orion Pax and Brian Tyree Henry’s D-16 are great – I’d argue that Henry’s portrayal steals the show – yet there still seems like there could’ve been room for real voice actors in this thing. Only one Transformers voice actor alum is in this film – Steve Blum – and even though he has played several high profile characters like Starscream, he is only used for a couple of throwaway lines by background characters here. It would have been nice to hear some of the surviving original Generation One cartoon voices, such as Dan Gilvezan (Bumbelebee), Michael Bell (Prowl), or Corey Burton (Shockwave). I’m not saying that they had to get Frank Welker and Peter Cullen to reprise their roles as Megatron and Optimus Prime at the end, but having met several of these voice actors over the years, I would’ve appreciated hearing them again. Not many of them are left, after all.

Dan Gilvezan, the original Bumblebee.

Honestly, I thought the film was too short. I realize that it had to be under two hours for the sake of not losing the attention of its target audience, but I would’ve liked about 10 more minutes to show where things were headed after the overthrow of Sentinel Prime. Perhaps a proper introductions for characters like Ironhide, Hound, Sidesweipe and other miners who become the first Autobots.

I could've done without Chris Hemsworth giving a "sounding off" message from Optimus Prime at the end. Not because it was bad, but because it is something that Peter Cullen did for each of the Bay films. The Bumblebee movie discarded the tradition, but it was brought back for Rise of the Beasts, though it was a last-minute decision by the studio to link that film back to the Bay ones.  It again felt like something Paramount wanted, but it instead sounded like Hemsworth doing an impression of Peter Cullen's final narration from the first live action film. Considering there were two additional scenes during and after the credits, it seemed like it could've either been dropped completely or rewritten.

And while I know it’s a nit-pick, this is my blog and I can say what I want, so I’ll just say this: can we PLEASE have the original transformation sound in a movie?! Bumblebee gave it to us in limited quantity, and this one had a slight nod to it with Prime's transformation at the very end, but it could've been used so much more here. It's iconic, and I personally feel that it enhances the experience of every piece of Transformers visual media, especially animation. C’mon, Paramount!

Final Thoughts

The original 1986 animated movie will always hold a special place in my heart. You still can’t beat that soundtrack or animation. The journey of Hot Rod from reckless cavalier to Rodimus Prime is still inspiring, but at the end of the day the story itself is a rehash of Joseph Campbell’s The Hero With a Thousand Faces (just like Star Wars), and the film exists to make way for new toys on the shelves by killing off “old product” that kids had come to regard as faithful characters. It was way ahead of its time, though no one knew it back then. I love it and believe it to be a better film than some would think, but it is still little more than “an 86-minute toy commercial”, as critic Leonard Maltin called it.

Rodimus Prime's first appearance in 1986's The Transformers: The Movie.

The excitement I felt in 2007 leading up to the first live action movie can never be replicated. I followed every step of the making of that film, including reading the first draft of the script a year and a half before it premiered! While I was thrilled by Optimus Prime rolling into the final battle against Megatron set to Steve Jablonsky’s incredible score, I came away disappointed that the Transformers themselves were little more than props in their own movie. It was a worthy effort, but it still fell short of capturing what made the Transformers such memorable characters in the first place. 

Optimus Prime in the first live action film from 2007.

The second, third, fourth, and fifth films…..the less said about them the better.

Bumblebee helped redeem the franchise from a live action movie perspective. It’s the story of discovering who you are, as both the title character and Charlie Watson have to overcome their trauma to find their true selves. I loved it, and I still believe it is the best of the live action entries. For more, click here to read my blog post on Bumblebee.

Charlie Watson and the title character from 2018's Bumblebee.

Rise of the Beasts was ambitious, trying to serve as a Beast Wars movie, a Bumblebee sequel, and a pseudo-prequel to the 2007 film. It was plagued by studio interference, reshoots, and inconsistent characters. Steven Caple Jr. gave us a Transformers story steeped in Black and Hispanic culture, and for that he is to be commended, but there was too much going on for the movie to really land with audiences. For more on my thoughts on Rise of the Beasts, click here to read my review of that film from last year. 

The Autobots meet the Maximals in 2023's Rise of the Beasts.

In many ways, Transformers One gets back to basics, and I don’t just mean the Transformers’ animated roots. It’s both a simple film, one that kids will enjoy, and a deep one, with themes that will resonate with not only those parents accompanying their kids but also the hardcore fans who have followed every aspect of this franchise since its inception. It is an origin story that could serve as the earliest entry for so many Transformers series, but if the rumors are true and it ends up being the first in a trilogy, it’s also a great jumping off point for yet another new chapter in the saga of everyone’s favorite robots in disguise. In short, it is yet another transformation, another adaptation to a story that, when you get down to it, is about the capacity to change. Transformation is a part of Cybertronians' biology, they have to do in order to survive. When Sentinel steals that, he steals a fundamental part of what it means for them to be alive, and the same is true for us, who likewise must adapt, change, and evolve in order to live and thrive in this world. 

Moreover, Transformers One taps into the difficult nature of being in relationships and how we adapt to them. What do you do when you want the same things but disagree on how to achieve them? When all that really separates you is your allegiance, how can you co-exist with each other? Will we transmit our pain or transform it? Maybe there’s truly more to the tale of these robots from Cybertron for our own time and place than meets the eye.

Go see Transformers One if you grew up on Generation One, the Beast Era, or any other entry in the franchise, because you will find yourself giddy with all the ways that this film touches on those characters and themes. Go see it if you have been burned out by Paramount’s theatrical entries and want to get back to something that has the look and feel of a Transformers adventure. Go see it if you have kids. Go see it if you don’t have kids. Go see it if you value stories about relationships, the ongoing struggle between being stuck and being hopeful, and the desire and need to transform both oneself and the world around them. Just go see it!

The first confrontation between Megatron and Optimus Prime.

Score

Thanks for hanging in there this long! The last time I made a list like this I worked only with the live action films, since the 1986 movie was still the lone animated feature to appear in American cinemas. Now that that is no longer the case, I've based this list not so much on my favorites, but on how I genuinely believe they stack up as stories and movie-going experiences. 

1. Transformers One

2. Bumblebee 

3. The Transformers: The Movie

4. Transformers (2007)

5. Rise of the Beasts

6. Lio Convoy in Imminent Danger**

7. Dark of the Moon

8. The Last Knight

9. Revenge of the Fallen

10. Age of Extinction 

**Lio Convoy in Imminent Danger is part of the 1998 Beast Wars Movie Special that was released in theatres in Japan. It is basically an extended episode of the anime-styled Beast Wars II cartoon series, which was airing in Japan at the time, along with a recap of the first season of the CGI Beast Wars cartoon and a preview of the upcoming second season, known in Japan as Beast Wars Metals. It is, technically speaking, the second Transformers theatrical movie, though it never saw a release in the United States. Maybe someday I'll write more about it, but for now I felt this little gem of a film deserved some attention on this list.

Optimus Primal and Lio Convoy together in the Beast Wars Movie Special from 1998.

Till all are one! 

-Father Prime

NOTE: All images, unless otherwise cited, are courtesy of the TF Wiki.